Traitement en cours...
Fermer la notification

Le saviez-vous ?

SIDE a travaillé avec ses fournisseurs pour rendre ses colis respectueux de l'environnement.
Fini le plastique !
Le ruban adhésif qui sécurise la fermeture de nos colis et les chips de calage qui immobilisent les livres dans les cartons sont en matériaux recyclables et biodégradables.

Afficher la notification

Henry Moore

Curtis Penelope, Gerstein Alexandra, Gottardo Ketty, de Mille Charlotte, Bruni Laura
Date de parution 16/08/2024
EAN: 9781913645663
Disponibilité Disponible chez l'éditeur
Henry Spencer Moore (1898–1986) was one of the most influential British artists ofthe twentieth century. This catalogue considers Moore’s celebrated Shelter drawingsas the point of departure for a new reading of the artist’s fascination with imagesof... Voir la description complète
Nom d'attributValeur d'attribut
Common books attribute
ÉditeurHOLBERTON
Nombre de pages96
Langue du livreFrançais
AuteurCurtis Penelope, Gerstein Alexandra, Gottardo Ketty, de Mille Charlotte, Bruni Laura
FormatPaperback / softback
Type de produitLivre
Date de parution16/08/2024
Poids350 g
Dimensions (épaisseur x largeur x hauteur)1,00 x 21,10 x 21,00 cm
Shadows on the Wall
Henry Spencer Moore (1898–1986) was one of the most influential British artists ofthe twentieth century. This catalogue considers Moore’s celebrated Shelter drawingsas the point of departure for a new reading of the artist’s fascination with imagesof walls, during and immediately after World War II. It accompanies a focusedexhibition at the Courtauld Gallery.After the destruction of his London studio early in World War II, Henry Moore begandrawing figures sheltering from bomb raids in the London Underground. This catalogueand exhibition consider Moore’s celebrated series as the point of departure for a newreading of the artist’s fascination with images of walls, during and immediately afterWorld War II.In the London Underground, where Moore drew these figures, the walls of thesesheltered spaces came to absorb his attention in an altogether new way, becomingscene-setters, and key components of his drawings. This fascination with the bricks andthe presence of walls, their texture, mass and volume, became especially important afterhis project to illustrate the wartime radio play The Rescue, based on Homer’s Odyssey.Henry Moore: Shadows on the Wall, a collaboration with the Henry MooreFoundation, suggests for the first time that the walls in his drawings offer a new way tounderstand some of his most individual and monumental Post-War sculpture projects.