“The Right to Look Back” : l’archive photographique et la construction de l’image de l’Autre
ARTICLESIsabelle GADOIN : IntroductionCamille JOSEPH : Photographier la variation : Franz Boas et les portraits-typesKelly FAZILLEAU : L’Indien atemporel d’Edward S. Curtis et le mythe de la race en voie de disparitionLaura SINGEOT : Sovereignty and Agency in Photographic Portraits from Australia and Aotearoa / New Zealand: from Anthropological Aspirations to Artistic ReimaginingsKarine CHAMBEFORT-KAY : The Staying Power Project: Photographic Heritage as a Site for Dialogue and ReconciliationAurore CAIGNET : Life: An Interview with Ian BeesleyVARIASophie LEMERCIER-GODDARD : “Upon what ground?”: Hamlet as Journeying PlayCOMPTES RENDUSCharlotte BRONTË, Shirley - Villette, 1849-1853 (A. Jumeau), 245. —Shelby FOOTE, Bart le magnifique (B. Pire), 247. — Danny HAYWARD,Wound Building: Dispatches from the Latest Disasters in UK Poetry(Th. Allen), 249.Notes on Contributors
